THE SOAPBOX: a new series highlighting local or touring artists. We chat about really important things like art, inspiration, processes, and vision; and also some silly stuff like the Pokemon craze and the pros and cons of hashtags.

Our first installment of The Soapbox features DMSC’s longtime friend and collaborator, Ross Clark of St. Lucia. Our Communications Intern, Anne Hilker, sat down with Ross after 80/35 to discuss his creative process, spill some secrets about the upcoming production year, and talk about the pros and cons of growing up in Iowa.

I thought Ross Clark would be short. The bass guitarist of the pop-synth band St. Lucia lives in Brooklyn, and for some reason, I pictured a short skinny, goateed hipster. Since it was my first in-person celebrity interview, I figured I’d wear six-inch heels for added confidence. As it turns out, I didn’t need them. Clark has that warm, funny, down-to-earth character that Midwesterners are so famous for – and at 6-foot-3, he towered over me anyway.

Clark is touring this summer following the release of Matter, the band’s nostalgic, poppy, welcome-back-to-the-80s album. St. Lucia is a favorite of festival audiences at Bonnaroo, Coachella, and Lollapalooza. He came through Des Moines to catch the 80/35 music festival and see family.

DMSC: Your second album Matter came out earlier this year. How have you felt about the reception that album has received?
CLARK: It’s been really cool! The cool thing about when [St. Lucia frontman] Jean-Philip [Grobler] is writing, there isn’t a preconceived notion of what he is trying to accomplish. [It’s] more about just putting out music that we feel is indicative of the aesthetic we are aligned with at the time. In this album there are some things that are a little bit more raw, a bit more open to a wider audience. So I think the general reception is that people have been enjoying

DMSC: What’s your favorite song on that album, and why?
Clark: I think “Home” is my favorite because of the groove and vibe of it. It reminds me of the modern Scandinavian musicians but it also has a Michael Jackson vibe to it. Playing it is super fun. It’s super hard-hitting and it’s a little more rock and roll in the upfront nature of the groove.

DMSC: Speaking of home, you grew up in Des Moines and went to Lincoln High School. Were you a chamber orchestra kind of kid or one of those cool guys with his own rock band?CLARK: I did a lot of different stuff actually. I was very uncool … I did jazz band and I did choir.

DMSC: Hey, choir is cool!
CLARK: Choir is cool! I also did rock bands. I did jazz combos outside of school with people from other schools. So I was a little bit nerd, a little bit rock. 

DMSC: Knowing what you know now, what advice would you give that teenager at Lincoln? Any advice to inspire other young musicians growing up in smaller cities?
CLARK: I think that setting expectations reasonably is probably the thing that has kept me going — even though there has never really been a consistent upward trajectory in my career. I’ve always been focusing on doing what I am doing currently and doing it really well. I think a lot of people pursuing music get bummed out when things aren’t continually on this exponential growth. When a bump comes along they just say, ‘alright, screw it! I’m done! I’m going to get a regular job.’

DMSC: I’ve seen “School of Rock,” I know the struggle.
CLARK: Exactly! Have reasonable expectations and don’t be too bogged down by the idea of ‘your art’ and taking yourself too seriously. This is a thing I have been dealing with a lot lately. I do a lot of session work and writing with other people. I’ll write with artists who some people don’t know, or don’t like. I get asked, ‘how can you do a lot things and not have just one aesthetic?’ Well it’s like, if I was a millionaire, trust fund baby maybe I would just do one thing. But odds are if I did I would still just be playing jazz in a club instead of playing social pop music for thousands of people. So I think [the key is] having a reasonable expectation, not taking yourself too seriously, and be a little bit myopic about whatever you are doing at the time.

DMSC: Although Des Moines is a growing city with a lively culture and music scene now, it probably wasn’t like that when you grew up. Did you feel like coming from Des Moines was an obstacle as you got started professionally or a strength, and why?
CLARK: I think it’s definitely harder coming from Des Moines, and moving to New York where all these other kids are from Houston or L.A. or New York. They got to go out and see great live music all the time [growing up]. There is good live music here in Des Moines but it’s 500,000 people compared to a few million. I’m a Des Moines kid. I grew up studying with Des Moines musicians and going to see every band I could, but the fact of the matter is, the bigger the population, the more musicians you have. Other kids grew up going down the block to Village Vanguard, the Blue Whale or Yoshi’s in San Francisco. I would have to go to Chicago or Minneapolis. I would go see metal bands, which I don’t even like, just because I wanted to see live music that bad.

Ross Clark guest DJ’ing in The Basement at the 80/35 After Party.

DMSC: Interesting, what places were you playing live music then?
CLARK: When I was young and playing [live music] in Des Moines I had a few options, including the Botanical Gardens and eventually other venues. But I think that’s insane that you had to play in a Botanical Garden just to play. I mean there is something special about it as well and I think I’m a better musician for it; I’m a better person for it. [Des Moines] is a cool place to be from; it’s very different and I think it’s awesome, but initially it was definitely an obstacle.

There are way more live acts coming through [now], so many more things to draw on, and you know, it’s incredible. It’s such an amazing time to live in Des Moines I just hope it keeps moving that direction and doesn’t become insular. It still needs big artists to come through and it needs inspiring acts to come through. So I think it’s a fascinating time to live in Des Moines and when I come back I remember that it’s cool here. It’s awesome.

DMSC: You went to college in Minnesota for two years before moving to New York. How did you like Minneapolis and how did it affect your vibe and music style?
CLARK: Minneapolis has an awesome history of great session work, great studios. It’s beautiful in the summers, and it’s super hard during the winters. Playing gigs there was a perfect stepping stone from Des Moines, where you’re playing smaller venues, to playing in places like St. Paul, Minneapolis, Dinkytown and Uptown. I think I had a lot more confidence when moving to New York because I was in Minneapolis for two years.

DMSC: You studied jazz at The New School. What was the highlight of that experience?
CLARK: The New School is more of a real conservatory school vibe compared to what I was used to. So having that time to really practice a ton and really live in that art was so important. The New School was a good hang too. Not only was it a conservatory but everyone there was just chill, you know? Some of these conservatories, the students have personalities similar to a box of rocks, and they just can’t converse because they are so in their minds all the time. The New School wasn’t like that. Plus, by the time I had graduated I had a community of musicians that I was able to go right into working with. It was an amazing time.

DMSC: Your band members are from all over the world. Patti Beranek is from a small town in Germany; Jean-Philip Grobler from South Africa. What is your process in creating new music and incorporating your different experiences?
CLARK: Jean definitely draws on a lot of South Africa, and his time in [Drakensburg Boys Choir] has given him an insane ear. We all love making pop music, I think that is one of the reasons why he brings us in. He could easily just do all of this on his computer, move stuff around, and have fake instruments play everything, but he loves having real musicians come in and play the part. He loves having Dustin [Kaufman] come in and play the drum part. Dustin has this jazz-gospel background that makes him look at things differently than a normal rocker would. We also make songs that are more indie, Fleetwood Mac-type jams. We recently hung out with Halsey at Bonnaroo and we played Dreams by Fleetwood Mac.











DMSC: And would attribute your versatility and love of different kinds of music to the New School or from your background in Des Moines?
CLARK: I’ve always really liked a lot of different types of music. I used to go out and buy tons of different types of records and listens to all types of music. I’ve always had a big appetite for a lot of music.

You’ve played on stages from Coachella to Bonnaroo to 80/35 in Des Moines. What was your favorite memory from a live performance you’ve done?
CLARK: Well, Coachella was amazing, just beautiful. I don’t know if I like that festival as much as I like Lollapalooza, but I know I prefer festival [performances]. 80/35 was super special because I was coming back and playing the home town. I had been on tour for years before that point but I had never gotten the opportunity to come back and play in Des Moines. It was awesome, just incredible.

Clark onstage at Coachella. Find Ross on Instagram @rosspryce.













DMSC: I saw that performance! You guys were so lively on stage; it was a great show to watch!
CLARK: Well you have another chance to see us! We are performing at Wooly’s in the fall, October 19th — check us out!

DMSC: How do you de-stress after a performance when you’re on tour?
Clark: We are pretty lucky because we get to travel on a bus now. We just wake up, a crew assembles everything that day and we have the whole day free basically until sound check. So usually I’ll go work out. Partying is a substantial part of touring, so being in shape and feeling good about how you look is important.

DMSC: You have to show off for the groupies!
CLARK: Definitely. But yeah, I like feeling healthy and taking time to explore the city I’m in. I like finding the good food there, the cool bars and also having friends in each of those towns. Making the effort to see [them] is super important too. I try to make every day on tour pretty special.

Clark, with DMSC Program Director, Mickey Davis, at this year's 80/35 music festival. Photo by Braden Kopf.
Clark, with DMSC Program Director, Mickey Davis, at this year’s 80/35 music festival. Photo by Braden Kopf.











DMSC: What’s on your playlist right now?
CLARK: Chance the Rapper, Young Thug, Travis Scott, and [some] SOPHIE, Magic Jordan, Anderson Paak. I’ve also been going back and listening to some boogie-disco stuff like SOS band, some funky stuff like that. A lot of hip hop though these days.

DMSC: Tell me something that no one would know about you.
CLARK: I recently worked with and did executive production on Wycleff Jean’s next album. That’s my little secret that no one knows about yet.

DMSC: What are your goals for the future?
Having a career that is interesting and expansive. I want to work with a lot of people so I can get better as a musician. I want to do new things other than music as well. I’d love to do even more traveling and go to more exotic places.

DMSC: Tea or Coffee?
CLARK: Oh coffee, all day.